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70 Camberwell Church Street, London, SE5 8QZ
020 7358 4475        house-gallery@hotmail.co.uk

Duration

7 April - 19 April

  1. Beverley J Bennett
  2. Laura Davidson
  3. Sally Jones
  4. Susannah King

Duration is an exhibition of four artists whose practices involve the durational. Brought together in these works are the knowledge of the physical gesture and the anatomy of space and time.

Beverley J Bennett

The primary act of the mark making process later becomes a conscious act where the language portrayed in the works creates a sense of unease. This is transmitted to the viewer through the obsessive, repetitive nature of the gestural marks.

Beverley Bennett - Rolls of paper hanging off the wall. One of them is ripped.

nowthaticanaffordlaughter.blogspot.com

Laura Davidson

Slipping off the wall, the rolls of paper retain a carbon memory of a previous movement, where the body has shifted back and forth in somatic actions. The viewer can regard the charcoal sequences as symbols hanging on the vertical plane of representation or as texts resting upon the horizontal plane of writing.

Laura Davidson - A large sheet of paper laid on the floor with flecks of chrcoal.

The marks themselves are measures of something, but of what the interpreter cannot define. They propose an incalculable geography, an ancient place described by the Greeks as Chora. The Chora is an inscribing space, an event preceding the semiotic systems, a receptacle beating a rhythm; dancing across the paper.

www.lauraelizabethdavidson.com

Susannah King

I explore the notion of recording passages of light through common ground non-spaces to assimilate landscapes of memory. What was once real becomes imagined and constructed. The process of encapsulating time absorbs a legacy of marks to create an intervention to a place and its past, present and future readings.

Susannah King - Black ink effect created using liquid light

www.susannahking.com

Sally Jones Sally Jones - Fluorescent strip lights arranged in a square.

My work is primarily involved with the experience and interpretation of space. The images are composite, built from different experiences and perceptions of time and place. The images are built using a variety of sources; memory, photographs, film, television and fiction to form constructions that create entirely unknown fictious spaces that are recognisable though shared experience and culture.

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